Saturday 27th December 2014. In the morning: to Seven Sisters Road for the last of the cat-sitting jaunts. Parts of the UK had snow on Boxing Day. London just had heavy rain, followed by a night of gales. My windows and doors rattled at 5am, waking me up. At 10am, when I reach the cat owner’s house, I see the heavy cat flap has been shattered in two by the gale. A hasty text to the owner. She’s returning in the afternoon, so doesn’t need me to do anything, thankfully. ‘I’ll stick some cardboard over the hole when I get back’. But somehow I come away feeling bad about the broken flap, because it happened on my watch.
Laurence G sends myself and David R-P a surprise present: a box of food from Fortnum & Mason. I polish off the champagne truffles far too quickly. My favourite item is a jar of mulled wine jam. Partly because I’m partial to mulled wine as a flavour, but mainly because I know it’ll last well into the New Year.
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Sunday 28th December 2014. Alan Bennett’s diary this year contains an obscure word: ‘batrachoidal’. It’s a slight neologism on Mr B’s part, as the OED only has ‘batrachoid’, meaning frog-like. He uses it to describe a man who is very much not obscure at the moment: Nigel Farage. The Times makes him their Man Of The Year. The general election in May will be veryÂ interesting.
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Monday 29th December 2014. I meet with Danika H at the British Library, to take her round the Gothic exhibition. I arrive ready to burden her with my annoyance over having to wear a surgical stocking for two weeks, due to my varicose vein op. But Danika turns out to have been in an ankle cast for weeks, and is still struggling on crutches when I meet her today. So that shuts me up. The crutches haven’t stopped her coming up to London to see friends and walk around galleries, butÂ they still make things difficult. Just before I arrive, D buys a cup of tea from the café. The awkwardness of having to pick up the cup while holding on to the crutches makes her spill the tea across her hand. It is scalding hot. The British Library staff are very helpful though, sending a first-aid lady to escort D to the toilets and help her run her hand under the cold tap. When we’re leaving, much later on, she comes back and check’s D’s okay.
It’s my third visit to the Gothic show, yet I still find things I’ve not seen before. Today it’s a recent edition of Wuthering Heights with a jacket design that deliberately mimics the Twilight books. There are few vampires in Emily Bronte, but presumably the publishers thought the general theme was close enough: gothic-tinged and overwrought romantic goings-on, then as now.
Or rather then as a few years ago, as the Twilight phenomenon is now firmly in that distant region known as the recent past. Going by the end-of-year bestseller lists this week, teens are now either buying John Green’s sensitive teen novels (especially The Fault In Our Stars) or spin-off books for the Minecraft video game (and I have no idea what that is). When it comes to the fashions of the book charts, even the undead have an expiry date.
While chatting in the café, Danika and I bond over – of all things – those star-studded and lavishly-located Agatha Christie films of the 70s and 80s. Death On The Nile and Evil Under The Sun are particular favourites. The former has Angela Lansbury, Maggie Smith and Bette Davis, all camping it up like mad. But then, what else can they do with those sort of supporting characters: flamboyant romantic novelists, waspish elderly heiresses, and mannishly-attired companions. I find out today that the film shoot required all three women to share a dressing room on the boat, which was a real paddle steamer. It’s said that this particularly irked Miss Davis, who bemoaned the post-Golden AgeÂ tendency for filmsÂ to shoot on location: ‘in the old days they’d have built the Nile for you.’
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The experimental radio station Resonance FM are having a Yesterday Day. They are playing nothing but cover versions of the Beatles’ song ‘Yesterday’, for 24 hours, thus making some sort of statement about it being the most covered song ever. I tune in, and last five songs before tuning out again. It’s just that song. I could probably stand 24 hours of ‘It’s All Too Much’, from Yellow Submarine. That may sound like cooler-than-thou contrarianism, but as it’s a pulsing, hypnotic song with a continuous upbeat groove, it’s far better suited to repeated plays.Â I know that’s missing the point, though.
Like a lot of conceptual art that demands commitment from the onlooker, I admire the idea but would rather just read the reviews. ‘No, you go ahead and watch that Warhol film of the Empire State Building without me. Tell me what happens.’
There’s a character in Whit Stillman’sÂ Metropolitan who boasts that he only reads criticism of novels rather than actual novels. ‘That way, you get an idea of what the writer was trying to do, along with an opinion you can take or leave. It saves time.’
He’s not doing a degree in literature, though.
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Tuesday 30th December 2014. Struggling to write the latest essay, which is on The Great Gatsby. I can’t tell how much of my resistance to work is down to my general despond, and how much is down to the way Fitzgerald’s novel feels so over-written about. It’s hard to find an original angle. Yet I managed it okay with The Picture of Dorian Gray, and there’s no shortage of material about that.
Some statistics from a textual search of Gatsby. Gatsby’s catchphrase ‘old sport’ appears 28 times in the novel. Baz Luhrmann’s film manages to increase this to 54 times. And the name ‘Daisy Buchanan’ never appears once. The only time Daisy is mentioned along with her surname is when she is Daisy Fay, in the flashbacks. ‘Nick Carraway’ doesn’t appear as a full name either, but as he’s the narrator that’s less unusual.
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Wednesday 31st December 2014. I meet Laurence Hughes for drinks in the afternoon, thenÂ see the New Year in at home and alone, while trying to work on the Gatsby essay. In fact most of my time is spent procrastinating, idly watching videos or reading some rubbish or other on the internet. No live TV or radio, though. So before I know it, it’s half past midnight, and I go to bed. I don’t even stop to hear the chimes. I think this is my most low key New Year’s Eve yet.
I probably should do something next year: go to a party or a fireworks display or somesuch. But the older I get, the more I realise how important it is to not do things against one’s will. I am getting out and seeing friends, like Laurence and Danika this week. It’s not enough, though. I’d like to spend more of 2015 with people, rather than with a screen. So that’s one resolution right there.
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Thursday 1st January 2015. Spent all day on the essay. Happy New Year, old sport.
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Friday 2nd January 2015. The first thing I hear in Central London in 2015, as I exit the tube, is the cry of a shopkeeper. He has a little mobile phone shop on Shaftesbury Avenue, and is offering his wares like the street-criers in Oliver! (as in ‘Who will buy this wonderful morning?’, and ‘Ripe! Strawberries, ripe!’)
This real life street cry is rather more 2015:
‘Selfie sticks! Selfie sticks!’
Tags: birkbeck, British Library, danika h, death on the nile, great gatsby, laurence gullo, metropolitan