Instant Myths

Into my last week of revision. One of the many rewarding things about studying English literature at Birkbeck is that the lecturers have often written introductions to the books. Today I was going over my lecture notes on Stevenson’s Jekyll and Hyde – the lecturer being Roger Luckhurst – and re-read the Oxford Classics edition of the text, which has an introduction and annotations by him too.

Today: I look at the London Library’s 1886 edition of Jekyll & Hyde, available for members to borrow. The book was first published in January of that year, but the library’s copy is not a first edition. Or even a second. Jekyll & Hyde was such a bestseller – such an instant myth – that the book hit its sixth edition within a few months. How strange to think its original appeal was as a crime mystery as much as a gothic horror: the revelation that Dr Jekyll IS Mr Hyde is the twist ending. Now, of course, the twist is more famous than the original story. But the Stevenson text always feels fresh,  however much one re-reads it. There’s the business with the two doors, the flat in Soho, and the innuendo over what exactly it is that Hyde gets up to (as played on by Wilde in Dorian Gray). But what impresses most of all is the sheer innovation of the text, blending genres, creating levels of disorientation, anticipating Modernism and psychoanalysis, inspiring The Hulk; all this, and Stevenson carries it off in a mere sixty pages.


The other day: I bump into Darren Beach on the tube, who tells me about his new concept music blog One Below Ten. The idea is that every entry is about a pop single that made it to Number Eleven in the British charts; so close yet so far to becoming a proper Top Ten hit (which really matters to those to whom it matters). The first subject is ‘Michael Caine’ by Madness, which I’m rather fond of. Still odd to think that the very mannered and gentle lead vocals are not by Suggs but by Chas Smash, the same man who shouted ‘Hey you – don’t watch that, watch this!’ on ‘One Step Beyond’, in rather a different style. But then, as Mr Beach says, Madness were a different band in 1984:


My friend, the charming glam rock god David Ryder-Prangley, has just moved in next door. By coincidence, I’d been listening to a track by KISS, of whom I’m not a massive fan, but I know that Mr DRP is very much an admirer. It’s because I’m preparing a DJ set for an event to celebrate Sebastian Horsley, and the song – ‘C’mon And Love Me (Alive! version)’ is in the late Mr H’s list of his favourites. Like a lot of those sort of bands, I may not be keen on the music, but I fully approve of the glamour.

Tags: , , , ,