{"id":916,"date":"2008-06-09T16:39:09","date_gmt":"2008-06-09T15:39:09","guid":{"rendered":"http:\/\/dickonedwards.co.uk\/diary\/?p=916"},"modified":"2008-06-09T20:16:55","modified_gmt":"2008-06-09T19:16:55","slug":"the-real-deal","status":"publish","type":"post","link":"https:\/\/www.dickonedwards.com\/diary\/index.php\/archive\/the-real-deal\/","title":{"rendered":"The Real Deal"},"content":{"rendered":"<p>Saturday evening: two wined-up parties in a row, necessitating a Sunday of hangover and recovery, though it&#8217;s not one I regret.<\/p>\n<p>First up is Dedalus Books&#8217;s 25th anniversary do, held at the Camberwell home of the publisher&#8217;s chairman, Juri. It takes me a fair while to get down there (a long single tube ride from Highgate to Oval, then a bus), but it means I get to watch people coming and going on the train, in the process of going to their various Saturday night parties. At one point a couple of large ladies in army camouflage gear get on, clearly off to a dress-up party. One of them accidentally jabs me in the ribs with her plastic baton.<\/p>\n<p>At the next stop another lady gets on dressed as Wonder Woman, or rather Wonder Woman&#8217;s more worn-out-looking cousin, en route to a different dressing-up soiree. I myself am in a cravat and tie-pin and make-up added to the usual suit, my eventual destination also a dress-up event, White Mischief. But given I&#8217;m in the presence of far more outre attires during this early evening Tube journey, for once I feel relatively inconspicuous.<\/p>\n<p>Within minutes of arriving at the Camberwell do, I&#8217;m put to use in my capacity as an allegedly able-bodied young-ish man. Host Juri, an older gentleman, has put his back out, so I carry a couple of cases of wine up the cellar stairs for him. It&#8217;s the closest I&#8217;ve come to manual labour in a long time.<\/p>\n<p>I chat to Wynd (from the Last Tuesday Society), and to Rowan Pelling, who&#8217;s there with her newborn &#8211; and impressively quiet &#8211; baby son. Fortuitously, after the Dedalus do she&#8217;s getting a lift to King&#8217;s Cross in order to catch her train home to Cambridge. King&#8217;s Cross is where I have to be for White Mischief, so I jammily find myself sharing a very pleasant and fast &#8211; and free &#8211; car ride between both parties, rather than having to negotiate the Tube at chucking-out time. In fact, after I finish my DJ set at 3AM, I take a perfectly calm and quiet Night Bus home, and save myself a taxi fare too. What I have to remind myself is that it&#8217;s only the hours between 10PM and 3AM that public transport can be an ordeal of noise and intimidation for the lone traveller. After 3 in the morning, either the archetypal lager-saturated youths are far too tired to raise hell, or they&#8217;ve already gone home.<\/p>\n<p>Thus, happiness is either an early night, or a very late one.<\/p>\n<p>When I get to White Mischief in time for my DJ stint (midnight to 3, with a band in the middle), the Scala is packed with dressed-up beauties in exotic takes on Victoriana, the theme being &#8216;Around The World In Eighty Days&#8217;. I&#8217;m immensely grateful to the stage manager for keeping me topped up with bottles of water while I DJ, as the temperature is absolutely stifling. My real sympathies go to the wearers of corsets.<\/p>\n<p>One chap asks me about what he assumes is a cover of Tom Lehrer&#8217;s &#8216;Masochism Tango&#8217;, one of my DJ selections. It&#8217;s actually Lehrer himself, albeit in the studio with a full backing band and orchestra. The more familiar Lehrer recordings are from his live concerts, where&#8217;s it&#8217;s just him and a piano, plus the audience laughing at every droll couplet. Both versions are included in the excellent box set, <em>The Remains Of Tom Lehrer.<\/em><\/p>\n<p>***<\/p>\n<p>Pleased to see the blog Indie-MP3.co.uk <a href=\"http:\/\/www.indie-mp3.co.uk\/2008\/06\/fosca-painted-side-of-rocket.html\">reviewing the Fosca album<\/a>:<\/p>\n<blockquote><p>Fosca have always been a band that I have liked the idea of. Led by Dickon Edwards, the self styled &#8216;dandy and fop&#8217;. I was always wary that the band were more style than substance. I&#8217;d seen the band a few times down the years and they were always &#8216;ok&#8217; &#8211; occasionally hitting giddy heights &#8211; but I had a nagging doubt that they weren&#8217;t quite the real deal.<\/p><\/blockquote>\n<p>Which makes me wonder, what exactly is &#8216;the real deal&#8217;? What are the hours like? Is there heavy lifting?<\/p>\n<blockquote><p>&#8220;I&#8217;ve Agreed to Something I Shouldn&#8217;t Have&#8221; &#8230; it&#8217;s everything that Fosca should be, a little pomp and a fair bit of swagger &#8211; like an indiepop Morrissey. Elsewhere on &#8220;The Painted Side of The Rocket&#8221; it&#8217;s fair to say that Fosca have finally made a record that matches their previous promise. They&#8217;ve finally delivered a record that has the songs and sounds to match their ambitious reach. &#8216;Head Boy&#8217; is a great swirl of pop music. The influence of Luke Haines seems evident throughout and Dickon Edwards&#8217;s songs echo the wordplay and Englishness that Black Box Recorder revelled in.<\/p><\/blockquote>\n<p>Actually, I&#8217;m not as familiar with Luke Haines&#8217;s work as some people might think. In fact, the director of the movie <em>Christie Malry&#8217;s Own Double Entry<\/em> was at the Dedalus party this weekend, and I was reminded that Mr Haines provided the soundtrack album. But I only know that from reading music mags: I&#8217;ve yet to hear the soundtrack, or see the film. But should I now do so, given I sound so Haines-esque already? Would that be a redundancy, or incest, or a consolidation?<\/p>\n<p>I bump into John Moore (of Black Box Recorder) from time to time, so it&#8217;s true I get invited to the same parties as Luke Haines&#8217;s collaborators, if not the man himself. Maybe that&#8217;s the influence: by osmosis from party invites.<\/p>\n<p>More from the review:<\/p>\n<blockquote><p>Fosca&#8217;s third LP has made me take notice of a band that I had consigned to the nearly but not quite pile. Take a listen for yourself &#8211; on the band&#8217;s MySpace page. &#8220;The Painted Side of The Rocket&#8221; was a pleasant surprise and one more people should hear.<\/p><\/blockquote>\n<p>Which is nice. Then there&#8217;s a comment added to the review by a reader:<\/p>\n<blockquote><p>I don&#8217;t hate it, but I can&#8217;t love it&#8230; I&#8217;m not sure what it is. I think the lyrics just make my toes curl in that very uneasy way. It&#8217;s hard to put a finger on what&#8217;s wrong with it. The music is quite fine, it seems.<\/p><\/blockquote>\n<p>The reviewer replies:<\/p>\n<blockquote><p>I&#8217;d definitely advise trying before buying their back catalogue. I think this is their best record &#8211; but I haven&#8217;t played the earlier ones a whole lot &#8211; as I couldn&#8217;t connect with it. This one made a better impression.<\/p><\/blockquote>\n<p>That&#8217;s good to know. Interesting about making music in order to forge a connection with others, a reaching out. That was certainly the intention with Orlando, and some older Fosca songs. I&#8217;d say the new album is more about making something that didn&#8217;t otherwise exist, but which I wished existed, exist. The album connects with me, at least.<\/p>\n<p>It&#8217;s the same reason that I started an online diary before the dawn of blogging: I feel more real when something I write is put out there in the world. In this case it&#8217;s songs on a real CD in real shops. That&#8217;s the Dickon Real Deal.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saturday evening: two wined-up parties in a row, necessitating a Sunday of hangover and recovery, though it&#8217;s not one I regret. First up is Dedalus Books&#8217;s 25th anniversary do, held at the Camberwell home of the publisher&#8217;s chairman, Juri. It takes me a fair while to get down there (a long single tube ride from [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-916","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts\/916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/comments?post=916"}],"version-history":[{"count":0,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts\/916\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/media?parent=916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/categories?post=916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/tags?post=916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}