{"id":848,"date":"2007-12-31T21:39:07","date_gmt":"2007-12-31T20:39:07","guid":{"rendered":"http:\/\/dickonedwards.co.uk\/diary\/index.php\/archive\/youre-going-home-in-asexual-ambivalence\/"},"modified":"2007-12-31T22:02:40","modified_gmt":"2007-12-31T21:02:40","slug":"youre-going-home-in-asexual-ambivalence","status":"publish","type":"post","link":"https:\/\/www.dickonedwards.com\/diary\/index.php\/archive\/youre-going-home-in-asexual-ambivalence\/","title":{"rendered":"You&#8217;re Going Home In Asexual Ambivalence"},"content":{"rendered":"<p>Sitting here preparing CDRs for tonight&#8217;s DJ stint at the Last Tuesday Society&#8217;s Masked Ball, in the heart of the West End. Even at 8pm in comparatively sleepy Highgate, the New Year&#8217;s Noise has started outside. The increased banging of car doors, shouts in the street, vehicles careering too fast in side streets, parties to get to, parties to get from. Where&#8217;s the party? Everywhere.<\/p>\n<p>So I&#8217;ve plunged myself into the core of it all &#8211; DJ-ing from 1am to 3am at the Arts Theatre, near Leicester Square.<\/p>\n<p>Trying to decide which version of &#8216;Diamonds Are A Girl&#8217;s Best Friend&#8217; to play. The Monroe original is too stop-starty, and isn&#8217;t quite as danceable as one might think. There&#8217;s a recent remix which splices Marilyn&#8217;s vocals with a modern swing arrangement, which I&#8217;m toying with. But then there&#8217;s Nicole Kidman&#8217;s version from <em>Moulin Rouge<\/em>, which is certainly full of rhythm (and which I suspect the Monroe remix is trying to ape). Possibly goes a little far in the giddy sweetshop direction. On New Year&#8217;s Eve, though, giddiness is rather the point.<\/p>\n<p>***<br \/>\nNew Year&#8217;s Resolution: never write in the diary about something which hasn&#8217;t happened yet. It can tempt fate.<br \/>\nEarlier this year, there was my being collared by a woman who wanted me to model suits for Paul Smith. I gave her my details, but did she get in touch? Did she Prada.<\/p>\n<p>More recently, I mentioned here that the <em>Guardian Guide<\/em> emailed me, asking for a few words about my ideal &#8216;Midnight Track&#8217; for their NYE club listings. They also wanted them by the next day. I duly replied at once. They said thanks.<\/p>\n<p>Bought the Guide yesterday, only to see my bit wasn&#8217;t used after all. Oh well.<\/p>\n<p>Here&#8217;s what I wrote:<\/p>\n<blockquote><p>BUGSY MALONE (Original Movie Soundtrack): You Give A Little Love \/ Finale<\/p>\n<p>A dissonant piano chord rings out and the party noise stops. Then a simple, childlike vaudeville riff gingerly nudges the song to life, and songwriter Paul Williams (voicing the male cast of the 1975 childrens&#8217; film <em>Bugsy Malone<\/em>) offers a wounded but triumphant melody of hope: <em>&#8216;We could have been anything that we wanted to be \/ You give a little love and it all comes back to you&#8230;.&#8217; <\/em>It&#8217;s the end of the movie, the end of the big custard pie fight, it&#8217;s charming and winning, it&#8217;s the styles of the 1920s via the kids of the 1970s, and it&#8217;s as powerful as ever. What better song to mark the passing of Father Time than this jaunty and defiant celebration of the child-adult axis in life? And you can dance to it.<\/p><\/blockquote>\n<p>***<br \/>\nStill, my mum is elsewhere in the same Saturday Guardian, in the New Year&#8217;s Honours List. I note that the Guardian goes with &#8216;quilt maker&#8217;, while the Times prefers &#8216;quiltmaker&#8217;.<\/p>\n<p>***<\/p>\n<p>Thank you, Dear Reader, for granting me your attention in 2007. See you in 2008. Take care. Don&#8217;t talk to any strange men. Do talk to a few strange hermaphrodites, though. At least you know where you are with them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sitting here preparing CDRs for tonight&#8217;s DJ stint at the Last Tuesday Society&#8217;s Masked Ball, in the heart of the West End. Even at 8pm in comparatively sleepy Highgate, the New Year&#8217;s Noise has started outside. The increased banging of car doors, shouts in the street, vehicles careering too fast in side streets, parties to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-848","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts\/848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/comments?post=848"}],"version-history":[{"count":0,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts\/848\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/media?parent=848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/categories?post=848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/tags?post=848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}