Tuesday September 22nd 1998<\/p>\n
One thing that definitely sets me apart from the Romo crowd.<\/p>\n
They all either got to be extras in the new film “Velvet Goldmine”, or should have been.<\/p>\n
I, on the other hand, should have been an extra in “The Last Days Of Disco”.<\/p>\n
Dress code for the film (after re-seeing it tonight, this time with Clare Wadd):<\/p>\n
Girls: Blusher, boob tubes, bitchiness.
\nBoys: Suits, side-partings, sardonicism.<\/p>\n
I still can’t recommend it highly enough.<\/p>\n
And then there’s the photos accompanying the new Josef K compilation on Marina Records: “Endless Soul”. I don’t know enough about this band. Just the lazy soundbites: early 80s Scottish New Wave \/post-punk scratchy flicker-guitar group, who had connections with Aztec Camera and Orange Juice and Momus’ first band, The Happy Family. But what I do know is that they had Great Suits and Great Side-Partings. The sleeve to this CD matches my silver-grey suit. Which is mainly why I bought it. Obviously.<\/p>\n
Clare is talking about a disturbing new trend in London gigs. People have been thrown out or barred entry to the Water Rats etc for carrying a copy of The Guardian with them, as if smuggling in a newspaper to read at a gig is worse than smuggling in a knife. Is Jonathan Aitken starting out on a new career as an indie venue promoter?<\/p>\n
If I one day find myself in the privileged position of being able to influence such matters, I will actively encourage reading at gigs. Never mind some naff flyer, take a good novel along to a gig and get a concession.<\/p>\n
The line-up for Friday’s one-off free Fosca excursion in Brixton:<\/p>\n
Self (diarist): voice and guitar player
\nCharley (Frantic Spiders): guitar player
\nDeb (Linus): bass player
\nCaroline (Frantic Spiders): drum player
\nRachel (care worker): keyboard player, singing
\nCressida (care worker): singing, flute player, keyboard player
\nFiona (second-hand bookshop manager): singing, keyboard player<\/p>\n
I have a horrible feeling there might be more people on stage than in the audience. <\/p>\n","protected":false},"excerpt":{"rendered":"
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