{"id":2423,"date":"2011-10-24T23:00:10","date_gmt":"2011-10-24T22:00:10","guid":{"rendered":"http:\/\/dickonedwards.co.uk\/diary\/?p=2423"},"modified":"2011-10-25T01:47:57","modified_gmt":"2011-10-25T00:47:57","slug":"dickens-barnes-and-the-book-as-object","status":"publish","type":"post","link":"https:\/\/www.dickonedwards.com\/diary\/index.php\/archive\/dickens-barnes-and-the-book-as-object\/","title":{"rendered":"Dickens, Barnes and The Book As Object"},"content":{"rendered":"<p><a href=\"http:\/\/thequietus.com\/articles\/07224-dickon-edwards-tony-sylvester-turbonegro\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/new.assets.thequietus.com\/images\/articles\/7224\/Tony_Dickon_Interior_man_love_1319126871_crop_550x366.jpg\" alt=\"\" width=\"440\" height=\"293\" \/><\/a><\/p>\n<p>Here&#8217;s an article on The Quietus website featuring myself and Tony of Turbonegro. We talked about\u00c2\u00a0suits &amp; music. Tony was promoting his gig and I was promoting, well, myself in general. Good to have a chance to show off the Sebastian Horsley suit.<\/p>\n<p><a href=\"http:\/\/thequietus.com\/articles\/07224-dickon-edwards-tony-sylvester-turbonegro\">Link to Quietus article.\u00c2\u00a0<\/a><\/p>\n<p><a href=\"http:\/\/www.guardian.co.uk\/stage\/theatreblog\/2010\/jun\/17\/sebastian-horsley-dies-overdose\">Link to S Horsley obituary, with pic of him in the same suit.\u00c2\u00a0<\/a><\/p>\n<p>***<\/p>\n<p>One of the Study Skills workshops I attended in the last fortnight was for Time Management. I was late for it.<\/p>\n<p>A strategy that keeps coming up is to stick to a rigid schedule, putting aside study slots but keeping them to 45 mins at a time. After 45 mins concentration is thought to tail off drastically, and one needs a break. It&#8217;s also said that if you do the same thing every day for six weeks, you&#8217;ll do it forever. That goes for giving up smoking, giving up sugar in tea, taking up writing, whatever. Actually, six weeks in my skittish, near-addict case sounds too much: I think I form my habits after two.<\/p>\n<p>***<\/p>\n<p>Tonight was a lecture on Wordsworth and Milton, and how the former used the latter in his <em>Prelude. <\/em><\/p>\n<p>Then we had\u00c2\u00a0a seminar on The Book As Object. Although I&#8217;ve been careful not to pipe up too much in classes up to now, I couldn&#8217;t help chipping in on this topic rather more often than usual. I find it such a fascinating subject. I can link the way Dickens&#8217;s novels were originally published in cheap monthly paperback instalments, each\u00c2\u00a0packaged in green wrappers with a supplement of adverts that had been <em>specially selected<\/em>\u00c2\u00a0to go with the story. For me, that&#8217;s comparable to Search Engine Optimisation on the Web today. Victorian SEO.<\/p>\n<p>I also linked the way Voltaire put out his works in varying editions, some with exclusive additions, in order to play the booksellers of 18th century France off against each other &#8211; not to make money, but to get his Enlightenment ideas as widespread as possible. This, I suggested, was comparable to the way Terry Pratchett has let Waterstones put out an special edition of his latest novel with an extra short story in the back &#8211; not a new marketing idea at all.<\/p>\n<p>Meanwhile Julian Barnes, in his Booker acceptance speech the other day, praised his designer and added:<\/p>\n<p><em>&#8220;If the physical book, as we&#8217;ve come to call it, is to resist the challenge of the e-book, it has to look like something worth buying and worth keeping.&#8221;<\/em><\/p>\n<p>It&#8217;s interesting that Mr Barnes thinks the e-book is a &#8216;challenge&#8217; to the paper book. I think he&#8217;s quite wrong. The e-book should be regarded as a third format, alongside the paperback and hardback. There&#8217;s a lot ebooks can&#8217;t do which paper books can, and vice versa. \u00c2\u00a0Many e-sceptics might not be aware that e-books have given a new lease of life to slow readers, dyslexics and the poorly-sighted, thanks to the way you can enlarge and space out the fonts. However, they&#8217;re still at the mercy of battery power, pricey tablet devices, DRM problems, and the sense that an ebook isn&#8217;t quite the personal property of the reader in the way a paper book is &#8211; you can&#8217;t easily get it signed, lend it to a friend, or scribble in the margin.<\/p>\n<p>As Douglas Adams said somewhere, nothing is getting <em>replaced. <\/em>Things just budge up to make room.<\/p>\n<p>The little Barnes hardback is beautifully designed, but whether it&#8217;s worth owning and paying the recommended retail price of \u00a312.99, when the\u00c2\u00a0Kindle ebook version is only \u00a33.59, is debatable. And paperbacks can be beautiful objects too (the Penguin &#8216;Great Ideas&#8217; range springs to mind), but the Barnes novel won&#8217;t be in paperback until 2012.<\/p>\n<p>That&#8217;s another issue. \u00c2\u00a0There is still this ludicrous, elitist idea amongst the British publishing and reviewing scene that a literary novel must come out in hardback first.<\/p>\n<p>If, like Voltaire, you think the main thing is to get your work read by as many people as possible, you need to not only embrace e-books, but join the growing trend to put out a mass-market paperback <em>alongside<\/em>\u00c2\u00a0the hardback (like the rest of the Booker shortlist, in fact). There is no <em>challenge<\/em>\u00c2\u00a0to any format, unless you believe that novels are &#8216;meant&#8217; to be in hardback form. Which would rule out Dickens and his original, cheap, flimsy, advertising-packaged installments.<\/p>\n<p>Dickens and Voltaire wrote to be <em>read<\/em>, first and foremost. They&#8217;d have welcomed e-books. Why shouldn&#8217;t anyone else?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s an article on The Quietus website featuring myself and Tony of Turbonegro. We talked about\u00c2\u00a0suits &amp; music. Tony was promoting his gig and I was promoting, well, myself in general. Good to have a chance to show off the Sebastian Horsley suit. Link to Quietus article.\u00c2\u00a0 Link to S Horsley obituary, with pic of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[406,408,407,409,28,135],"class_list":["post-2423","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-charles-dickens","tag-degree-course","tag-julian-barnes","tag-quietus","tag-sebastian-horsley","tag-suits"],"_links":{"self":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts\/2423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/comments?post=2423"}],"version-history":[{"count":23,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts\/2423\/revisions"}],"predecessor-version":[{"id":2446,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/posts\/2423\/revisions\/2446"}],"wp:attachment":[{"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/media?parent=2423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/categories?post=2423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dickonedwards.com\/diary\/index.php\/wp-json\/wp\/v2\/tags?post=2423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}